THE ALMOST-FORGOTTEN CENTURY
(The 18th, In Case You Forgot)
(The 18th, In Case You Forgot)
- Canaletto, View of a Town on a River Bank
- Canaletto, Landscape with a Tower
- Manaigo, Saint John the Baptist in a Niche
- Faldoni, Abraham and Melchizedek
- Anesi, Veduta di Villa Madama
- Cignaroli, The Three Marys at the Cross
- Tiepolo, The Holy Family Passing a Statue
- att. to Panfili, Design for the Title Page
- Piranesi, Piazza del Popolo
- Piranesi, The Pantheon (Exterior)
- Piranesi, The Piazza Navona with S. Agnese on the Right
- Piranesi, The Isola Tiberina with S. Bartolomeo in the Foreground
- Novelli, Emblem Medalion for Gaetano Vitali
- Volpato, Il Boschetto d’Arcadia verso la Reggia
- Boucher, Tête de Bourgeois Coiffé
- Gautier-Dagoty, François Boucher
- Demarteau, Jeune Fille à la Cage
- Fragonard, Deux Femmes sur un Nuage
- Gillot, La Vie des Satyrs (Set of Four)
- Descourtis, Paul et Virginie (Set of Six)
- Moyreau, La Musette
- Van Loo, Pierrot et Scapin
- LePrince, Les Pêcheurs
- LePrince, 2me Suite de Divers Cris de Marchands de Russie
- Robert, Les Soirées de Rome: Title Page
- Delarue, A Pagan Sacrifice
- Loutherbourg, Resting Peasants with Animals in a Landscape
- Loutherbourg, 1ére Suite de Soldats (Set of Six)
- Loutherbourg, 2nde Suite des Figures (Set of Six)
- Janinet, Deux Vuës de la Grèce (pair)
- Moitte, La Catéchisme
- Mauclair, Quand l’Hymen Dort
- Moreau, Les Petits Parains
- Norblin de la Gourdaine, Le Grand Joueur
- Mallet, A Couple Under a Parasol
- Drevet, Jacques Benigne Bossuet
- Earlom, A Game Market
- Hogarth, A Chorus of Singers
- MacArdell, Lady Caroline Russell
- Cooper, Mountainous Landscape with a Herd on the Move
- Pether, King Uzziah Stricken with Leprosy
- Runciman, Perseus and Andromeda (Large Plate)
- Robertson, Cowherds and Cattle by a Stand of Trees
- Worlidge, Bust of a Man in a Feathered Turban
- MacArdell, Lords John and Bernard Stuart
- Romney, Preliminary Study for the Painting of the Gower Family
- Howitt, The Fox Hunt (Set of 4)
- Bretherton, Concerto Spirituale
- Smith, The Fern Gatherers
- Beich, The Conversion of St. Paul
- Chodowiecki, The Wedding of Friderike Sophie
- Kauffman, Das Mädchen bei der Urne
- von Bemmel, The Artist by the Waterfall
- Glume, Portrait of the Painter Joachim Martin Falbe
- att. to Füger, Christ Calling Simon
- Wachsmuth, German Alphabet with Fantastic Figures
- Wocher & Janinet, The Wrestlers on the Ramparts of Bern
- Schouman, The Great Crested Grebe
- Stolker, Der Junge Mann
- att. to Andriessen, Sawyers by a Shed
- Vieira de Mattos, Seated Woman Holding a Bird, with a Nude Child
- Goya, Bien Tirada Está (It’s Nicely Stretched)
- Goya, Allá Vá Eso (There It Goes)
- Goya, Que Pico de Oro ! (What A Beak of Gold!)
- Goya, El de la Rollona (Nanny’s Boy)
- Goya, Francisco Goya y Lucientes, Pintor (Self Portrait)
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2. Antonio Canal, called Canaletto (Italian, 1697-1768) Landscape with a Tower and Two Ruined Pillars |
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(click on image to print)

Landscape with a Tower and Two Ruined Pillars
Etching, 144 x 208 mm., DeVesme 25, Pallucchini & Guarnati
27, Bromberg 28 ii/ii. A fine impression on laid paper with the watermark “I” (apparently unrecorded) and with small margins. The scene, although possibly constructed from real elements, probably existed nowhere except in Canaletto’s imagination. But whether he worked directly from reality, imaginatively modified it, or created his own realities, it is the conveyance of atmosphere and the masterful manipulation of light that make Canaletto’s etchings unique and wonderful. Excepting only the earliest works, these are not simple transfers of drawings, but meticulously planned and executed marvels of etching that give up their technical secrets on close examination and then once again revert to pure poetry.