THE THEATER
Prints and Drawings Of, In, For and About
Prints and Drawings Of, In, For and About
- Glintenkamp: Muse Thalia
 - Callot: Soliman Act I
 - Desperet, Molière : "L’Avare"
 - Schaffhauser: Angelica
 - Green: David Garrick, Esqr.
 - Toulouse-Lautrec: Le Coiffeur
 - Thew: Shakespeare: Hamlet
 - Parigi: La Flora
 - Sloan: The Green Hour
 - Brocard: Design
 - Brouwer: Het Winter Bosch
 - Doré: Paons (Peacocks)
 - Houston: Mr. Berry
 - Guyot: Les Trois Sultanes
 - Beerbohm: Coquelin Aîné
 - Knight: At the Footlights
 - Thew: King Henry the Fifth
 - Anquetin: Le Théâtre Libre
 - Say: Miss Mellon
 - Fabbroni: Two Stage Settings
 - Hogarth: Mr. Garrick
 - Guérard: Marionette
 - Edelinck: The Comic Actor
 - Renouard: Le Fond de la Loge
 - Watson: Lady Sarah Lennox
 - Toulouse-Lautrec: Aux Variétés
 - Ogborne: Henry the Sixth
 - Doré: Seraphin
 - Monogrammist WHN: The Riot at Covent Garden
 - Janinet: Nina
 - Régamey: A Figure from the Commedia dell’Arte
 - Vuillard: Solnes, le Constructeur
 - Circle of Delacroix: Mademoiselle George
 - de Bruycker: Théâtre (Ténor)
 - Audran: Design
 - Bormann: The State Opera
 - Desboutin: Dailly
 - Toulouse-Lautrec: Yvette Guilbert
 - Marceau: Three Clowns
 - Rados: Stage Design
 - Daumier: Carotte Dramatique
 - Rops: Caricature Portrait
 - Ibels: L’Amour S’Amuse
 - Daumier: Les Théâtres
 - Markham: The Show is Over
 
| 20. Domenico Fabbroni (XVIIIth Century) Two Stage Settings for “L’Amor Contrastato or La Molinara” by Giovanni Paisiello  | 
(click on image to print)
Two Stage Settings for “L’Amor Contrastato or La Molinara” by Giovanni Paisiello
Other Images:
Watercolors, ca. 1788,
333 x 444 and 336 x 444 mm. La Molinara (it is slightly better known under that name), a comic opera, was first produced in Naples in 1788 and later in Hamburg, Berlin and Vienna. A similar but different stage setting, by Anton de Pian, for the Vienna production of 1790 is illustrated in Musikgeschichte im Bildern. Both settings here are interiors, a winery with casks and a dining room with card players. Both are on laid paper and one is signed outside the image; water stains and foxing visible only on the reverse. These designs may have been those for the first production.
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