PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
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5. Marcantonio Raimondi (ca. 1480-1527/34) after Raphael (?) Façade with Caryatids |
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(click on image to print)

Façade with Caryatids
Other Images:


Engraving, 298 x 230 mm., Bartsch 538. Fine, early impression on laid paper, the image coming through verso as in the earliest Marcantonio impressions, trimmed within the platemark on the topmost and bottommost engraved lines and outside the image at the sides; a tiny nick at the bottom. This supposed architectural image is made even stranger by the appearance of the two figures in the doorway whose comparative size shows the caryatids to be enormous and the bust on the second tier even more gigantic. One wonders if the artist actually saw something on this scale or if he was enhancing the antique to a monumentality it may never have had. An intriguing print and, apparently, a rare one, as no other impression has been seen at public sale for at least twenty years.
Provenance:
The Reverend J. Burleigh James (Lugt 1425). James was a minister of the Church of England in the mid-nineteenth century but had graduated university as a Master of Arts. He resided at Knowbury Park in Shropshire, England and, though the source of his wealth is apparently unknown, he must obviously have been wealthy because he amassed an enormous collection. It was sold in 1877 at Sotheby’s in three sessions and comprised over 5000 lots (a lot may have been more than one print) ranging from Dürer to Whistler, many of the prints from earlier, famous collections.