THEY CAME TO AMERICA
(“Immigrant Art” in the USA)
(“Immigrant Art” in the USA)
- de Saint-Mémin: Mrs. Cummings
- Moran: The Rapids
- van Beest: Two Fishermen
- Moran: The Passaic
- van Elten: The Deserted Mill
- Mielatz: Out of Commission
- Yeats: Rye, July 4, 1908
- Botke: Beside a Valley
- Nakamizo: Heron Lifting Off
- Charlot: Woman Lifting Rebozo
- Constant: Still Life with Pears
- Bormann: New York Aquarium
- Castellon: Waiting Women
- Takal: Man with a Cigar
- Lozowick: The White Spider
- Sangster: Niagara Falls
- Lovet-Lorski: Winged Man
- Sterner: The Penitent
- Hamilton: Feeding the Sparrows
- Sandzén: Mountain Lake
- Lucioni: Barn in the Hills
- Binder: Moses
- Eby: Goin’ Home
- Farrer: Sunset, Gowanus Bay
- Geritz: Mae Murray
- Grossman: Rain on the Square
- Sherman: Quadrille Band
- Brockhurst: Una
- Gottlieb: Low Tide
- Hoffbauer: Studies
- Oppenheimer: New York at Night
- Robinson: Horse Auction
- Bluemner: Winfield, Long Island
- Mora: Mother and Child
- Drewes: Rotterdam
- Fiene: Barns
- Marsh, Coney Island Beach
- Moser: Sunrise
- Eichenberg: Seven Deadly Sins
- Hayter, Greeting Card for 1945
- Kuniyoshi: Taxco, Mexico
- Roth: Street in Siena
- Winkler: Chow Seller
- Ruzicka: East River, Evening
- Reinhardt: Intermission
- Kadar: The Nativity
- Weber: Mountain Scene
- Schultheiss: The Flight into Egypt
- Walkowitz: Two Figures
- MacLaughlan: The Great Oak
- Auerbach-Levy: Cabby
- Neufeldt: Rhode Island
- Dolice: Off Asbury Park
- Friedlander: Brooklyn Bridge
- Hankins: Arrangement
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38. James Henry Moser (1854-1913) Sunrise on Mt. Washington, Intervale, New Hampshire |
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(click on image to print)

Sunrise on Mt. Washington, Intervale, New Hampshire
Original drawing in pencil, watercolor and gouache, ca. 1895, 115 x 256 mm., on wove paper watermarked J. Whatman, 1893. Moser was born in Whitby, Ontario, Canada, of German heritage, and moved with his family to Columbus, Ohio in 1864. Although probably best known for the illustrations he, along with Frederick Church, did for Joel Chandler Harris’ Uncle Remus, Moser was – though still not recognized as such – one of the best watercolorists of his time. His work is rarely seen because most of it is held privately by his descendents. This is a quick sketch from a notebook and not a finished work, but even here there are glimpses of his abilities. Moser was, for many years, instructor in watercolor at the Corcoran Gallery in Washington DC, but he traveled America extensively and left many fine images of places from Vicksburg, Mississippi to Cornwall, Connecticut.