Affordable Drawings
from the 16th through the 20th century
from the 16th through the 20th century
- Vasari, Seven Bishop Saints
- Passarotti, Male Nude Study
- Castello, A Decapitation
- Wildens, A Hilly Path
- Florentine School , Floral Ornament
- Procaccini, Head of a Soldier
- French School, Head of Hercules
- Vlieger , Fishermen
- Gargiulo , Elevation of Saints
- Roos, Cattle and Sheep
- Cabel, River Landscape
- d'Onofri , Trees in a Landscape
- German School, The Coronation of the Virgin
- Heemskerck, Peasants Drinking
- Piola, St. Raymond
- Moucheron , Classical Figures in a Grove of Trees
- Chaufourrier, Solfatara
- Lantara , Storm over a Village
- Volaire , Neapolitan Boatman
- Monogramist Vh , Woodland Grove
- Bolognese School, Seated Warrior
- Galliari , Stage Set: Courtyard of a Farm
- Duclaux , Plants Growing in a Field
- Cruikshank , Standing Male
- Altmann , Wine Taster
- Decamps, Trees at the Villa
- Nanteuil , Two Figures
- Bodmer, Partridges
- Harpignies , Trees
- Marsaud, Harlequin
- Dehodencq, Three Sketches
- Delauney, Fruit Tree with Birds
- Dansaert , Brawl in a Tavern
- Chapu, Studies for ’’Une Source’’
- Vannutelli, Two Women Seated in a Church
- Lepère, Studies of Ladies Shopping
- Béjot, Pont de l'Alma
- Henricus, Japonisme
- Vuillard, Mme. Vuillard, Sewing at Her Window
- Couturier, Carnival Scene at Night
- Brockhurst, Chinese Group
- Stankavich, On the Frontier
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11. Adriaen van der Cabel (1630/31-1705) River Landscape with Fisherman and a Dog |
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(click on image to print)

River Landscape with Fisherman and a Dog
Black chalk, and grey-brown wash, 1680, 263 x 149 mm. Provenance: Dr. Edward Peart (1756/8-1824) (Lugt 891).
Delicately drawn in fine black chalk and/or pencil and finished in pale grey-brown wash on laid paper with framing lines, inscribed in pencil below the image "Van der Cabel. 1680." The writing does not match examples of his signature, although he often dated his drawings similarly, and the inscription may have replaced an earlier authentic signature. The drawing is precisely in the style of the artist's landscape etchings (see The Illustrated Bartsch, Vol. 5) though not directly related to any of them. The scene is certainly Italy, which was Van der Cabel's usual subject. He was the pupil of Jan van Goyen, lived in Rome for a considerable time and later resided and died in Lyon.