THE short SHOW
Etchings, Mezzotints & Aquatints of Sir Frank Short on the 100th Anniversary
of the Private View of his works in London
Etchings, Mezzotints & Aquatints of Sir Frank Short on the 100th Anniversary
of the Private View of his works in London
- Invitation Card
- In a Cider Country
- The Head of Langston
- Derwentwater
- Old Mill on the Wandle
- Solway Fishers
- Knaresborough
- A Lane in Arundel
- In the Cotswolds
- Ehrenbreitstein, No. 1
- Ehrenbreitstein, No. 2
- A Pastoral
- Screel Hill
- The Snow Drift
- Hobb’s Hawth, No. 2
- The Lost Sailor
- Old Quai on the Nith
- Lucerne
- A Roman Canal
- A Roman Canal
- A Street in Monikendam
- The “Victory”
- “The Street,” Whitstable
- Cottage and Harvesters
- Portrait of Two Gentlemen
- ‘Twixt Dawn and Day
- Pan and Syrinx
- Moonrise on the Bure
- Stonehenge at Daybreak
- The Mooring Stone
- Shipping at the Entrance
- Per Horse-Power Per Hour
- Polperro from the Cliffs
- A Yorkshire Dell
- The Coast Road
- Mount St. Gothard
- A Dutch Greengrocerie
- A Woody Landscape
- Hawk’s Brow and Seaford Head
![]() |
10. Sir Frank Short (1857-1945) after J. M. W. Turner (1775-1851) Ehrenbreitstein to Coblenz, No. 1 |
![]() |
(click on image to print)

Ehrenbreitstein to Coblenz, No. 1
Other Images:


Soft-ground etching and soft-ground etching with aquatint, 1891, 183 x 249 and 183 x 253 mm., Hardie 143 proofs. Very fine impressions, the etching on old laid paper, the aquatint on thick wove paper, both with full margins, both signed and annotated in pencil; the aquatint with weakened platemark reinforced on the back. The subject is taken from a watercolor by Turner in the National Gallery. The etching is an undescribed proof (Hardie was not aware of any proofs of the etched state); the aquatint is one of 24 proof impressions taken before the plate was reduced and published in The Portfolio in 1891 in an unsigned edition. A rare and possibly unique pair.