UNDERVALUED ARTI$T$ II
Fine Prints at Low Prices
Fine Prints at Low Prices
- Anonymous, En Auvergne
- Appian, Ville au Bord
- Beurdeley, Le Chemin aux Peupliers
- Blanche, Pomponne Zelinska
- Bodmer, Paon et Paonnes
- Bouquet, Tête d’Enfant
- Cain, Ezekiel’s Tomb
- Calame, Valley of the Aar
- Chahine, Portail
- Dufeu, Rue Souk-El-Selah, au Caire
- Fantin-Latour, Verité (petite planche)
- Français, Les Derniers
- Frélaut, Retour de Pêcheur
- Gandara, Etude de Femme
- Gautier, Le Marché aux Fleurs, Paris
- Grossman, Pianist with Harlequin
- Hardie, Picnic
- Haskell, Trees and Hills
- Heintzelman , Old Brass
- Horter, Ye Olde Curiosity Shop, Nantucket
- van Hoytema, Peacock amid East-Indian Foliage
- Hoyton, Wroxton Down
- Hubbard, Rag Yard
- Huet, Vieilles Maisons
- Huntley, Charleston, No. 1
- Khnopff, Une Tête de Face
- Lalanne, À Bordeaux (Vue Génerale)
- Legros, Le Hameau Près du Lac
- Liebermann, Der Weber
- Lipton, The Surprise
- MacLaughlan, The Towers (San Gimignano)
- Maurin, The Orchestra
- Osborne, Dordrecht
- Pechstein, Hafen auf Fehmarn
- Pennell, Law Courts, London
- Ribot, L’Aide de Cuisine
- Roth, Cliffside (New Jersey)
- Roybet, Les Joueurs de Tric-Trac
- Schrimpf, Mädchen mit Tauben
- Sintenis, Two Gazelles
- Staeger, Forest Scene
- Storm van s’Gravesande, Au Bord
- Strang, Tinkers
- Webster, Road Through a Village
- Winkler, Fruit Stall
Rue Souk-El-Selah, au Caire
Etching, 1865, Bailly-Herzberg 168, 320 x 238 mm. Very fine impression on laid paper with large, full margins and with the blind stamp of the publishers Cadart & Luquet. France had its share of etchers of Africa and the Middle East, most of them, like Dufeu, virtually unknown today. Like almost all French artists of the 19th century, they were well trained technically, knew how to draw and how to etch. Dufeu’s evocation of Cairo is Maxime Lalanne’s technique applied to exotic subject matter, an historical document, if you will, but with far more atmosphere than early photographs of the subject.
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$150.00 | ![]() |