The Last Time I Saw Paris
- Callot, Vue du Pont Neuf, Paris
- Le Clerc, View of a Chateau and Horse Fair
- Janinet, Vue Intérieure de L’Eglise
- Pradelle, Sunset in Paris
- Meryon, Le Stryge
- Meryon, Le Petit Pont
- Meryon, Tourelle de la Rue de la Tixéranderie
- Meryon, Collège Henri IV ou Lycée Napoléon
- Meryon, Le Pont Neuf
- Lalanne, Rue des Marmousets (Vieux Paris)
- Lalanne, Démolitions pour le Percement du Boulevard St. Germain
- Lalanne, Batterie de Montmartre
- Brouet, Le Rémouleur (The Knife Grinder)
- Brouet, Le Rendez-vous des Chiffoniers
- Brouet, Le Luthier
- Brouet, Fête du Trio Montmartrois, 17 Avril, 1907
- Daubigny, Le Cèdre de Liban
- Daubigny, L’Amphithéatre du Jardin des Plantes
- Charlet, Au Jardin des Tuileries
- Ciceri, L’Hôtel de Ville in 1583
- Benoist, Le Petit Châtelet
- Bayalos, The Bastille in 1740
- Buhot, L’Hiver à Paris ou La Neige à Paris
- Buhot, La Fête Nationale au Boulevard Clichy
- Buhot, La Place des Martyrs et la Taverne du Bagne
- Buhot, Matinée d’Hiver sur les Quais
- Buhot, Le Retour des Artistes aux Champs-Elysées
- Boucherot, La Porte de Vanves
- Martial, Paris Incendié, La Lègion d’Honneur à Les Tuileries
- Lamour, Le Pont Notre-Dame
- Toulouse-Lautrec, Le Marchand de Marrons
- Toulouse-Lautrec, A la Gaieté Rochechouart: Nicolle
- Steinlen, Premier Petit Nocturne
- Steinlen, Amoureux sur un Banc
- Forain, Maison Close (Brothel)
- Forain, A la Bourse (At the Stock Exchange)
- Delcourt, Rue des Saules
- Lepère, La Rue de la Montagne Ste. Geneviève
- Lepère, Bal au Point du Jour
- Lepère, L’Abreuvoir au Pont Marie (2me planche)
- Lepère, Les Troubles au Quartier Latin
- Lepère, Tour Eiffel – Frontispice
- Lepère, Notre Dame, Vu du Quai de Montebello
- Doré, Escalier de l’Opéra à la Mi-Carême
- Zeising, Port d’Auteuil
- Gautier, La Rue St.-Julien-le-Pauvre
- Gautier, Pont de l’Archevêché
- Daumier, Saprelotte…Complet !...
- Béjot, Le Pont de Grenelle
- Béjot , Le Luxembourg
- Béjot, La Bastille (1st plate)
- Béjot, La Rue de Harlay
- Jouas, Gentilly – La Bièvre, du Pont de l’Avenue de la Republique
- Provost, Vue des Divans
- Bouchot, Le Concert Musard
- Rivière, Quai d’Austerlitz et Notre-Dame
- Whistler, Rue de la Rochefoucault
- Marin, St. Gervais from the Rue Grenier-sur-l’Eau
- Helleu, Mme Helleu Looking at the Watteau Drawings in the Louvre
- Carbonati, Pont de la Tournelle
- Heyman, Passerelle de l’Estacade, Paris
- Plowman, The Towers of Notre Dame
- MacLaughlan, Forge of the Carmelites
- Gottlob, Les Pierreuses
- Chahine, La Petite Fête aux Fortifications
- Grilade, Au Lapin Agile
- Heintzelman, Café Montmartrois
- Webster, Vieilles Maisons sur le Quai
- Herscher, Vue de la Tour de Dagobert
- Laboureur, La Cage
- Chandler, An Excavation, Paris
- Orlik, Treppenhaus am Quai Voltaire
- Scott, St. Nicolas-du-Chardonnet
- Bonnard, Place Clichy
- Delaunay, Seine Bridges
- Delaunay, The Steeple of Notre-Dame
- Delaunay, Biplane by the Ile de la Cité
- de Bruycker, L’Eglise St. Séverin, Paris
- Somm, Tête de Parisienne
Collège Henri IV ou Lycée Napoléon
Etching, 1863-4, 295 x 485 mm., Delteil/Wright 43 x/xi. A fine impression of the penultimate state (the plate was cancelled after the eleventh state), with the address of the printer Pierron, on Hallines laid paper with full, large margins. The view is said to be taken from the summit of the Panthéon, and Meryon, in a letter, meticulously described the bits of this or that building equally meticulously drawn in this or that corner or area of the print. But no view from the Panthéon (save Meryon’s) could have even imagined the immediate foreground of the print, totally out of scale with the rest of it, and filled with both dressed and naked people who seem to have dropped in from another continent. They walk, slide, bathe, wrestle, ride a horse, do acrobatics, sit and read, stand and carry, and dance. The Collège itself, somewhat refurbished, still exists in much the same form as Meryon saw it, and exercises much the same functions. A good deal of the background area, though, was changed with the building of the boulevards. Meryon signed the print with his monogram on the side of a building about two-thirds toward the right. He also put his initials, together with a cross, on a building in the far distant center, for that is the house in which he lived for years and where he etched the Eaux-Fortes sur Paris. Nearby, yet a third house is marked with the initials LN. They stand for Louise Neveu, a young girl with whom Meryon was infatuated. It is questionable if she even knew of his existence. So much content, so many stories in a single print!