Whistler, His Followers and His Brother-In-Law
The Artistic Circle and the Artists Influenced by Him
The Artistic Circle and the Artists Influenced by Him
- Whistler, La Vieille aux Loques
- Whistler, The Rag Gatherers
- Whistler, The Music Room
- Whistler, Drouet
- Whistler, Old Hungerford Bridge
- Whistler, Tatting
- Whistler, Old Putney Bridge
- Whistler, San Giorgio
- Whistler, The Bridge, Venice
- Whistler, Alderney Street
- Whistler, Regent's Quadrant
- Whistler, The Tyresmith
- Whistler, Grand Rue, Dieppe
- Whistler, Clockmaker's House
- Whistler, The Smith
- Whistler, Back of the Gaiety
- Haden, Mytton Hall
- Haden, A Water Meadow
- Haden, Shere Mill Pond
- Haden, Sunset in Ireland
- Haden, The Breaking Up of the Agamemnon
- Keene, Portrait Mrs. Heseltine
- Greaves, Portrait of a Woman
- Roussel, Chelsea Palaces
- Roussel, Chelsea Children
- Roussel, Portrait Miss Austin
- Roussel, A Study by Lamplight
- Roussel, House in Green Park
- Way, Sailing Ship
- Sickert, Mother and Daughter
- Sickert, Mon Bon Dodo
- Winslow, Boat-Building Yards
- Addams, Little Market Place
- Anderson, Market Passage
- Bacher, Castello Quarter, Riva
- Menpes, Little Bridge, Amsterdam
- Menpes, Old Wooden House
- Short, George's Dock
- Weir, Coon Alley
- Hassam, The Little Church
- Pennell, Butcher's Row
- Pennell, St. Paul's
- Pennell, London Bridge
- Pennell, Tyburn
- Marin, Meaux Cathedral
- Marin, Market Place
- McBey, Antwerp
- McBey, The Silk Dress
- Leheutre, La Rochelle
- Leheutre, La Passerelle
- Jones, Workshop
- Winkler, Clay Street Hill
- Winkler, Low Tide
- Winkler, La Marchande Endormie
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54. John Winkler (1894-1979) La Marchande Endormie |
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(click on image to print)
La Marchande Endormie
Etching, 1923, 188 x 113 mm.,Winkler 100, edition of 50 in 2 states.
A very fine impression with light plate tone on laid paper with large, full margins and signed in pencil. In 1921, Winkler went to Paris, bringing with him a host of unfinished plates of San Francisco to be worked on there. He stayed for six years, at first working only on what he brought with him, but finally getting out into the streets and markets and etching what he saw. Winkler was at his best when he was most immediate. John Taylor Arms, standing on the street nearbye, saw Winkler etch this superb plate, watching his needle fly in a race against time, before the woman should awake and change her position. Nothing could be more spontaneous and immediate. That said, the viewer is asked to look once more at the very first print in this exhibit, Whistler's La Vieille aux Loques, and wonder, perhaps, if a bit of Whistler's very soul had not entered into Winkler's.
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$450.00 |  |
