Old Master Prints and Drawings
Selections
Selections
- Dürer, Knot
- Dürer, The Entry of Christ into Jerusalem
- Dürer, Peter and John Healing the Cripple
- Cranach, The Death of St. John
- Duvet, The Beast with Seven Heads and Ten Horns
- van Leyden, Joseph Interpreting Pharoah's Dreams
- Beham, Vertical Ornament with a Male Figure
- Beham, Hercules with Nemean Lion
- Beham, The Peasants' Feast
- Aldegrever, Ornament with a Child Holding Foliage
- Solis, Four Acrobats and a Monkey
- Lautensack, River Town & Cabin and Two Pines
- Cambiaso, Saint John the Evangelist
- Anonymous Italian, Designs for Relief Pilasters
- Carracci, Christ & Madonna Appearing
- after Goltzius, The Doctor as God the Saviour
- Collaert, Arion and the Dolphin
- Sadeler, Lamentation by Three Angels
- Brizio, An Extensive Landscape
- Frisius, The Old St. Anthony's Gate
- Serwouters, David Fighting the Bear
- Visscher, Het Dorp Middelaer
- Callot, Le Parterre de Nancy
- Callot, La Revanche des Paysans
- Jordaens, Christ Cleansing the Temple
- Swanevelt, The Little Waterfall
- Rembrandt, The Small Lion Hunt
- Rembrandt, Rembrandt with Cap
- Rembrandt, Christ & Woman of Samaria
- Circle of Rembrandt, Adam Naming the Animals
- Dubois, River Landscape
- Wyngaerde, The Dream of Silenus
- Bol, Portrait of an Officer
- Attributed to Koninck, Manoah's Sacrifice
- Weyer, Cavalry Battle
- Everdingen, Round Landscape with a Wooden Bridge
- Nooms, The Four Elements
- Nooms, The Nieuwe Reguliers Gate
- d' Onofri, Apollo and a Nymph Leading a Lion
- Giordano, Christ & Veronica on the Road to Calvary
- Robinson, Banquet Piece with a Tobacco Jar
- Robinson, Banquet Piece with Covered Bowl, Lobster and Game
- Tavella, Farm Scene in a Landscape
- Boitard, God the Father Supported by Angels
- Diziani, The Martyrdom of St. Andrew
- Canaletto, View of a Town on a River Bank
- Canaletto, Al Dolo
- Subleyras, La Madeleine aux Pieds de Jesus
- Tiepolo, The Flight into Egypt
- Robert, Villa Conti, Frascati
- Moreau, Harbor Scene with Figures
View of a Town on a RiverBank
Etching, ca.1735 (?), 301 x 430 mm., DeVesme 9, Bromberg 9 ii/ii.. A fine, clear impression, though without the strong contrasts of the first state, the lines of the sky printing particularly cleanly and evenly, on laid paper with an R watermark and margins of at least 20 mm. all around. The second state carries the etched number E5 at the lower right. Impressions of the first state are known on this same paper. Bromberg dates the work immediately before The Portico with the Lantern, generally considered Canaletto's greatest print. The scene, though presumably an imaginary composite, relates to views along the Brenta in the Veneto.