THEY CAME TO AMERICA
(“Immigrant Art” in the USA)
(“Immigrant Art” in the USA)
- de Saint-Mémin: Mrs. Cummings
- Moran: The Rapids
- van Beest: Two Fishermen
- Moran: The Passaic
- van Elten: The Deserted Mill
- Mielatz: Out of Commission
- Yeats: Rye, July 4, 1908
- Botke: Beside a Valley
- Nakamizo: Heron Lifting Off
- Charlot: Woman Lifting Rebozo
- Constant: Still Life with Pears
- Bormann: New York Aquarium
- Castellon: Waiting Women
- Takal: Man with a Cigar
- Lozowick: The White Spider
- Sangster: Niagara Falls
- Lovet-Lorski: Winged Man
- Sterner: The Penitent
- Hamilton: Feeding the Sparrows
- Sandzén: Mountain Lake
- Lucioni: Barn in the Hills
- Binder: Moses
- Eby: Goin’ Home
- Farrer: Sunset, Gowanus Bay
- Geritz: Mae Murray
- Grossman: Rain on the Square
- Sherman: Quadrille Band
- Brockhurst: Una
- Gottlieb: Low Tide
- Hoffbauer: Studies
- Oppenheimer: New York at Night
- Robinson: Horse Auction
- Bluemner: Winfield, Long Island
- Mora: Mother and Child
- Drewes: Rotterdam
- Fiene: Barns
- Marsh, Coney Island Beach
- Moser: Sunrise
- Eichenberg: Seven Deadly Sins
- Hayter, Greeting Card for 1945
- Kuniyoshi: Taxco, Mexico
- Roth: Street in Siena
- Winkler: Chow Seller
- Ruzicka: East River, Evening
- Reinhardt: Intermission
- Kadar: The Nativity
- Weber: Mountain Scene
- Schultheiss: The Flight into Egypt
- Walkowitz: Two Figures
- MacLaughlan: The Great Oak
- Auerbach-Levy: Cabby
- Neufeldt: Rhode Island
- Dolice: Off Asbury Park
- Friedlander: Brooklyn Bridge
- Hankins: Arrangement
Mother and Child
Etching and drypoint, 124 x 77 mm. A fine, rich impression in brown-black with plate tone on thick, textured wove paper with large margins, signed in pencil. Mora was born in Montevideo, Uruguay, of a Catalonian (Spain) father and a French mother. His father was a noted sculptor. The family left Uruguay during an insurrection, going to Catalonia, but in 1880 they arrived in the United States, eventually settling in Perth Amboy, New Jersey. Encouraged in art by his father, and something of a child prodigy, he studied in Boston with Edmund Tarbell and Frank Benson and later at the Art Students League. At the age of nineteen he was already doing illustrations for popular magazines. Mora had a successful career – painter, portraitist, illustrator, poster designer, muralist, print maker – until the Great Depression, which put an end to the careers of many fashionable painters. He was more, though, than a fashionable artist; the lucrative portraits aside, he was probably the first Hispanic-American artist and his knowing studies of Spanish art, in Spain and elsewhere, brought a new bloodline into the genealogy of art in America. The subjects of this etching appear to be of native Indian stock, but whether of North or South America is unknown.