New Images
- Anonymous Italian, Venus
- Appian, Bords du Ruisseau
- Beham, Ornament with a Palmette
- Benoit, A Grove of Trees
- Berman, Destruction Ancient City
- Bonasone, Sculptures of Persians
- Brissot de Warville, Parc à Moutons
- Brizio, Satyr Spying on a Nymph
- Brouet, Grand Saint-Ouen
- Buhot, Idée du Frontispice
- Cameron, Glen Strae
- Charlet, Une Reconnaissance
- Cochin, Hercule Gaulois
- Collaert, St. Maclovius (St. Malo)
- Coornhert, Battlefield in America
- Daubigny, L’Heritage de la Voiture
- Denon,Family Seated Near a Wall
- Dietterlin, Ornamented Fountain
- Dugas, La Pentecôte
- Duplessis-Bertaux, The Church
- Dürer, The Young Couple
- Fantin-Latour, Baigneuses
- Gillot, Livre de Portières
- Good, Portrait of a Lady
- Grasset, La Belle Jardinière
- Gropper, The Art Patron
- Hackaert, A la Cava
- Haid, Woman Lighting Her Pipe
- Higgins, Two Peasants Arguing
- Hollar, Woman of Antwerp
- Huybrechts, Ornament
- Israels, A Scheveningen
- Lalanne, Le Pont des Arts
- Lalanne, Passage de la Marmite
- Legros, La Pêche à la Truble
- Lepic, Le Président Arbod
- Levine, A Hand Holding a Cigar
- Nadelman, Reclining Female Nude
- Nolpe, Peasant Man and Woman
- Nolpe, Peasant Woman
- Nura, Seraphine Sews
- Ossenbeeck, The Merchant
- Ostade, Bust of a Peasant
- Piranesi, Ruins of the Neronian
- Paunzen, Pastorale, Allegro, No. 89
- Quaglio, Falconing Party
- Rados, Title Page
- Rados, Acquedotti e Rovine Antiche
- Rados, Carceri nella Tragedia
- Rops, Ma Grand’ Tante
- Salamanca, Stratonice Mithridatis
- Sampson, Paris Rooftops
- Schmutzer, Holländerin mit Kuh
- Taquoy, Horses and Hounds
- Viera, Coronis Pursued by Neptune
- Vliet, Hunchbacked Beggar
- Voyez, La Visite Inattendue
- Willman, The Four Seasons
- Wit, Onder of Over (Under or Over)
Le Pont des Arts et l’Institut
Etching, 1868, Béraldi 39, Villet 44 ii/iii, 212x 146 mm. A fine impression on laid paper with full margins as published in 1869 in Sonnets et Eaux-Fortes, before the later printings. A wonderfully atmospheric image, it shows what can be accomplished in subtleties of dark and light by pure etching alone. Lalanne, technically one of the most masterful etchers in history, was very much a purist in that sense.
New Images