UNDERVALUED ARTI$T$ II
Fine Prints at Low Prices
Fine Prints at Low Prices
- Anonymous, En Auvergne
- Appian, Ville au Bord
- Beurdeley, Le Chemin aux Peupliers
- Blanche, Pomponne Zelinska
- Bodmer, Paon et Paonnes
- Bouquet, Tête d’Enfant
- Cain, Ezekiel’s Tomb
- Calame, Valley of the Aar
- Chahine, Portail
- Dufeu, Rue Souk-El-Selah, au Caire
- Fantin-Latour, Verité (petite planche)
- Français, Les Derniers
- Frélaut, Retour de Pêcheur
- Gandara, Etude de Femme
- Gautier, Le Marché aux Fleurs, Paris
- Grossman, Pianist with Harlequin
- Hardie, Picnic
- Haskell, Trees and Hills
- Heintzelman , Old Brass
- Horter, Ye Olde Curiosity Shop, Nantucket
- van Hoytema, Peacock amid East-Indian Foliage
- Hoyton, Wroxton Down
- Hubbard, Rag Yard
- Huet, Vieilles Maisons
- Huntley, Charleston, No. 1
- Khnopff, Une Tête de Face
- Lalanne, À Bordeaux (Vue Génerale)
- Legros, Le Hameau Près du Lac
- Liebermann, Der Weber
- Lipton, The Surprise
- MacLaughlan, The Towers (San Gimignano)
- Maurin, The Orchestra
- Osborne, Dordrecht
- Pechstein, Hafen auf Fehmarn
- Pennell, Law Courts, London
- Ribot, L’Aide de Cuisine
- Roth, Cliffside (New Jersey)
- Roybet, Les Joueurs de Tric-Trac
- Schrimpf, Mädchen mit Tauben
- Sintenis, Two Gazelles
- Staeger, Forest Scene
- Storm van s’Gravesande, Au Bord
- Strang, Tinkers
- Webster, Road Through a Village
- Winkler, Fruit Stall
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33. Malcolm Osborne (1880-1963) Dordrecht |
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(click on image to print)
Dordrecht
Drypoint, 1925, 225 x 390 mm. Superb impression with burr and plate tone on laid paper with full margins, signed in pencil. Osborne was a student of Frank Short, but both his draughtsmanship and his drypoint work call up the name of Muirhead Bone. Having accepted the conservative style of the plate, one can hardly fault it for either composition or technique and were it signed by Bone, rather than Osborne, it would certainly be considered in the upper half of his works.
