RECENT ACQUISITIONS
- Dürer, The Death of the Virgin
- Dürer, The Virgin with the Swaddled
- Krug, Madonna and Child
- Beham, Christ Bearing the Cross
- Beham, Cimon and Pero
- Beham, Triumph of the Noble
- Lautensack, Landscape
- Goltzius, Pietà
- Muller, Cleopatra
- Muller, The Fight
- Callot, La Petite Place de Sienne
- Bosse, Le Pâtissier
- Rembrandt, Christ and the Woman
- Rembrandt, The Goldsmith
- Della Bella, The Five Deaths
- Della Bella, Death on the Battlefield
- Falck, Vanitas (Old Coquette)
- Cantarini, St. Anthony of Padua
- Vauquer, Ornament Plate
- Everdingen, Four Mineral Springs
- Canaletto, Imaginary View of Venice
- Hogarth, Two Receipts
- Le Bas, Repas Italien
- Frye, Life-Sized Heads
- Piranesi, Veduta del Porto
- Piranesi, Veduta del Ponte
- Tiepolo, The Four Evangelists
- Dambrun, La Partie de Wisch
- Lafitte, An Amorous Couple
- Gericault, Horses Going to a Fair
- Cruikshank, “Charing Cross?”
- Decamps, Les Mendiants
- Callow, Bologna
- Malardot, La Pêche
- Malardot, Two Peasants
- Bracquemond, Le Haut
- Whistler, Annie, Seated
- Whistler, Thames Police
- Whistler, Thames Warehouses
- Carrière, Self Portrait
- Devambez, Quai de Métro
- Haskell, Caricature of Whistler
- Barlach, Die Wandlungen Gottes
- Laboureur, January in the Omnibus
- Laboureur, La Halte des Bohèmiens
- Bellows, The Black Hand
- Blampied, Nursing the Baby
An Amorous Couple Being Observed
Original drawing in pen and black ink and grey wash on blue-green laid paper, ca. 1804-15, 198 x 142 mm., signed with initial. Meticulously finished drawing of a risqué subject, probably meant to be engraved, perhaps as a book illustration. The woman in bed is clearly older than her male companion and she wears a ring on the fourth finger of her right hand (which would be her left in the engraving). The couple is either being spied upon by the old woman or else, perhaps having arranged the assignation, she is keeping watch – or both. Lafitte was less a painter than he was a draughtsman (he was appointed Dessinateur du Cabinet du Roi by Louis XVIII in 1815) and many of his works were meant for book illustration while others were reproduced as lithographs.