14. James Abbott McNeill Whistler
(1834-1903)

The Clockmaker's House, Paimpol

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Whistler, Clockmaker's House

The Clockmaker's House, Paimpol

Lithograph, 1893, 202 x 147 mm., Way 42; Levy 68; Spink/Chicago Art Institute 65, edition of 12. A fine and rare impression on chine-appliqué with large margins, one of twelve printed by Way, and on the same paper and of the same size as the impression from the Palmer collection now in the Chicago Art Institute. The stone was later, posthumously, reprinted by Goulding. Whistler loved head-on views of house fronts. They not only provided varied textures and a play of light, but satisfied his Japonisme-inspired desire for a flat picture plane, allowing him to create depth by a strategically-placed figure or a tiny shadow. The Clockmaker's House reads as much like a two-dimensional pattern, dissolving at the edges, as it does a three-dimensional street scene, and the ambiguity gives the work its charm. Paimpol is a fishing village on the Gulf of St. Malo in Brittany.